The Bucharest Biennale International Advisory Board met in Timișoara and awarded the curatorship for the 9th Bucharest Biennale unanimously to Henk Slager (NL).
The Bucharest Biennale is interested in exploring links between creative practice and social progress, as well as correspondences between local and global contexts. Now in its tenth year, the Biennale continues to build a strong partnership between Bucharest—a geocultural space where the political is reflected in all aspects of life—and the rest of the World. In transcending specific geographical, historical, or political frameworks, it connects to a broader complexity, namely the one of “resistance” within the quotidian realm.
As a biannual cultural event, BB’s temporary structure allows a deconstruction of the systems supporting and underlying what has been called the “experience economy”. The Bucharest Biennale goes beyond merely orchestrating memorable “events” that aim for prescribed notions of customizable transformation, which are characteristic of this economic model and importantly reflected in the global biennial format as well. Instead, the Biennale offers a platform to analyse, and potentially redirect, current social, political and economic imaginaries. It intends to make visible the power structures supporting such spheres of control, addressing the ways in which they are organized and coordinated, as well as implemented across broad segments of society. The Biennale is an attempt to turn these scripted “experiences” upside down, to re-think and re-imagine processes of domination, while positioning the city of Bucharest as a field of cultural action and exchange.
With its innovative model refined throughout the previous eight editions, the Bucharest Biennale is now regarded as one of the most vital biennials in Europe, holding a widely respected position within the international art scene.
For BB9, curator Henk Slager is interested in evaluating—the dominance of—the concept of research and its related trends of thought in the contemporary art world. To this end he will—in collaboration with a number of decisive research centers—develop a constructive contribution to the re-thinking of the current artistic research discourse. Moreover, consideration will be given to finding a suitable, topical form of presentation. Related to this, attention will be paid to the role and significance of biennials as platforms for the production and circulation of ideas.
As Professor of Artistic Research (Finnish Academy of Fine Art 2010-2015, HKU University of the Arts Utrecht 2006- ) Henk Slager has made significant contributions to the debate on the role of research in visual art. In 2004, Henk Slager – together with Jan Kaila and Gertrud Sandqvist – initiated the European Artistic Research Network (EARN), a network that investigates the impacts of artistic research on current art education through symposia, expert meetings, and presentations. Departing from a similar focus on artistic research, he also (co-)produced various curatorial projects, e.g. Freedom, What was that all about, Kuandu Biennale 2018; To Seminar, BAK Utrecht 2017; Timely Meditations, 5th Guangzhou Triennial 2015; Experimentality, 1st Research Pavilion, Venice 2015; Aesthetic Jam, Project Taipei Biennial 2014; Offside Effect, 1st Tbilisi Triennial 2012; Doing Research, curatorial project for dOCUMENTA (13) 2012; As the Academy Turns, Collaborative project Murcia, Manifesta 8, 2010; Nameless Science, Apex Art, New York 2009; and Translocalmotion, 7th Shanghai Biennale 2008. In 2015 he published The Pleasure of Research, an overview of educational and curatorial research projects.
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